Free Pinky Masterbation

Centennial 2003


Picu Bluff on the centenary of the first ascent

"For years waiting for this moment, on 4 August 2004. I knew we would join a good group climbers, some friends had not seen in a long time, others that each year we gather in the shelter and not possibly meet again in a long time, but I'm sure this day would be all that would not break anyone, it was as an event without be cited, as a magnet that attracted us to these walls and in its centenary year we would all go to worship him as if it were un dios.

"Casi lo es para muchos; por si acaso mi amigo y colega de escaladas Ruben Suarez y yo, nos adelantamos a la fecha abriendo un año antes. La via que ya llevara su nombre y recuerdo de este dia, la via “Centenario”, fue pensada para este glorioso dia del alpinismo español, los días 14 de Mayo, que abrimos la mitad de la ruta y que dejamos por falta de tiempo, hasta el 7 de julio de 2.003 que la rematamos, con 14 horas de escalada , dejándola con una dificultad de Muy Dificil Superior (máximo 6b+/A0) y 670 metros de longitud, siendo una de las mas largas del Naranjo".
Ref: Andrés Villar


CROQUIS


Andrés Villar routes in the Northeast face
Naranjo Ref: Andrés Villar


Ref: Fernando Calvo


Villaret

DESCRIPTION

begins in the Canal de la Celada, right of way Panic Terminal, by some visible cracks, and four long (IV + / V / V +, V / V + / IV, III + and III + / IV / III + ) is reached under a typical crash, which is flanked by his right about twenty feet. Two long
forty
m (V + / III + and IV / III +) can reach via niche-Cainejo Pidal. Three other

rope rolls (V-V + / V and V + / IV-) situate us on the Grande Corniche along which the road Schulze.

starts now be under the heavy burden of the central north face climbing to the left (III +).

The following long followed with the same direction (V + / 6a), to turn sharply to the right and set up the meeting in the bottom left of that heavy burden (this section has three espits, ensuring the most difficult) .

The following eighteen meters (V +) allow us to link with Panic via Terminal, laying continues for another two lengths of rope (6a + / V +, 6b + / 6a / V + / V) to place ourselves above the slab of the mill.

Two long over, slightly diagonal to the right (III + / IV +), lead us to the chimney outlet through which runs the track Pidal-Cainejo, why we continue to the summit (III + / II). O0o

Ref: Isidoro Rodriguez Cubillas Naranjo de Bulnes : A Century of Climbing.



At the top of the mountains always have a few surprises, this time was to see appear to Carlos Suarez, who came to track Rabada-Navarro alone.
was during the centennial of the first ascent of Naranjo de Bulnes. Pilis, Paul, Ruth and I would join us later, Carlos Suarez, enjoy top, time, friends, a good day of climbing.
Ref: Andrés Villar

& See Amazing History Villar Andrés Naranjo in the Celtic Twilight page. O0o

Make Homemade Wind Tunnel

The music therapist, Ms. Claudia Banfi

... at the request of gaby Siccardi some things I said at the conference, hopefully serve and thanks for the space! Claudia



Latin American Congress of Music Therapy III Latin American Medical MusicoterapiaFacultad UBAHospital of clínicas4 - 5 - and 6 April 2002
Consulting: Music Therapy and Community. Reflections for the debate :

The "Community Music Therapy" desarrollla their actions and from the community, is an agent of change that serves the social pain and public and collective expression. Performing its function as a role is assigned by the community, operating instead fills only make sense from the discourse that the community provides. Unlike the artist or animator cultural, instead of displaying his music, works to facilitate the other (the community) the expression of their sound, the sound organization of their message (which may be a mute). The listener does not cut
symptoms but oriented toward the desire for transformation of the other (the community) and seeks to serve that neighbor plural tools and devices associated with their training.
Their strategy never anticipated (not prevent) but on the contrary, it is pure becoming, is reflected in the very moment social event in which it operates.
The design lines are the horizontal role of insertion and listening, and from the horizontal (the plain, the plot of peers, the social base) the upward vertical set of actions that aim to impact instituted some power (economic, political, generational, etc..) Thus understood, community music therapy may be present in other areas of work (clinical, Preventive, ecological, recreational, educational) but it's good to cut its specificity within the context that frames it.

professional profile aspects come into play:
-
dedication to service - ability to relate in a responsible and committed to its role
- sensitivity and acuity in the perception and registration of the other (hearing and listening trained)
- clarity and openness to social interaction
- recognition of the diverse and multiple subjective and intersubjective level
- freedom and wealth to research and build speeches sound material
instrumental and vocal - to express and communicate ductility bodily

Music therapist Claudia Banfi

Space